Learning Goal: To recognize the unique sound/feeling of each of the four triad types: major, minor, diminished, augmented…
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harmony
This commonly-used 12-bar Blues variation combines many of the variations we have already seen…
This commonly-used 12-bar Blues variation inserts a secondary dominant A7 (V7/ii) in bar 8 to feed the Dm7 (ii7) in bar 9…
This commonly-used 12 bar Blues variation substitutes a ii7-V7 progression for the V7 chord in bars 9 and 10…
This commonly-used 12-bar Blues variation inserts a short turnaround in bar 12…
A commonly-used variation inserts a IV7 chord in bar 2…
This variation inserts an F7 chord in bar 10…
Welcome to the Major 12 bar Blues presented in its most basic form…
The deep understanding of Form and Harmony cannot be overstated…
A prerequisite to Transposing Harmony like a musician is to conceive and hear the music in functional musical terms, not just as an arbitrary sequence of dots…