Ear Training: Triad Recognition
Learning Goal: To recognize the unique sound/feeling of each of the four triad types: major, minor, diminished, augmented… Advertisements
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Tag: harmony
Blues School: 12 Bar Major Blues Form & Harmony – Variation #8
This commonly-used 12-bar Blues variation combines many of the variations we have already seen…
Blues School: 12 Bar Major Blues Form & Harmony – Variation #6
This commonly-used 12-bar Blues variation inserts a secondary dominant A7 (V7/ii) in bar 8 to feed the Dm7 (ii7) in bar
Blues School: 12 Bar Major Blues Form & Harmony – Variation #5
This commonly-used 12 bar Blues variation substitutes a ii7-V7 progression for the V7 chord in bars 9 and 10…
Blues School: 12 Bar Major Blues Form & Harmony – Variation #4
This commonly-used 12-bar Blues variation inserts a short turnaround in bar 12…
Blues School: 12 Bar Major Blues Form & Harmony – Variation #3
A commonly-used variation inserts a IV7 chord in bar 2…
Blues School: 12 Bar Major Blues Form & Harmony – Variation #2
This variation inserts an F7 chord in bar 10…
Blues School: 12-Bar Major Blues Form & Harmony – Variation #1
Welcome to the Major 12 bar Blues presented in its most basic form…
Composition & Improvisation: A Case Study: Part 4 of 24: Form & Harmony
The deep understanding of Form and Harmony cannot be overstated…
Transposition: The Musical Way to Transpose Harmony
A prerequisite to Transposing Harmony like a musician is to conceive and hear the music in functional musical terms, not just as