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gospel piano licks

Gospel School: Bouncing Bass Lines

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Half-time bouncing bass lines are a joyous and easy way to really groove at slow to medium tempos…

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January 8, 2017 Gospel School

Gospel School: Walk-Down I to V & Walk-Up V to I

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Everybody’s gospel bag should include walk-ups and walk-downs that connect the “big three” chords (I-IV-V)…

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January 7, 2017 Gospel School

Gospel School: Walk-Up I to IV & Walk-Down IV to I

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Everybody’s gospel bag should include walk-ups and walk-downs that connect the “big three” chords (I-IV-V)…

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January 7, 2017 Gospel School

Gospel School: Vamp #4

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Fourth in the series of definitive gospel vamps for your consideration…

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January 6, 2017 Gospel School

Gospel School: Vamp #3

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The first three bars are identical to Gospel Vamp #2, but this one ends with a tasty major-minor mixture…

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January 6, 2017 Gospel School

Gospel School: Vamp #2

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Featuring a major pentatonic flavor and ending with a major neighbor chord idea…

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January 6, 2017 Gospel School

Gospel School: Vamp #1

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First in a series of definitive gospel vamps for your consideration…

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January 6, 2017 Gospel School

Gospel School: Mixolydian Triads

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Mixolydian Triads (triads derived from the Mixolydian Scale) are a tasty, bluesy way to play over a dominant 7 chord…

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January 3, 2017 Gospel School

Gospel School: Major-Minor Mixture

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The simultaneous mixture of major and minor tonalities is huge part of the Gospel vocabulary…

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January 2, 2017 Gospel School

Gospel School: Neighbor Chord Melody (Minor)

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An extension of the Neighbor Chord concept is to play the prevailing triad and neighbor chord pair “melodically” up or down in all inversions…

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January 1, 2017 Gospel School

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