Gospel School: Bouncing Bass Lines
Half-time bouncing bass lines are a joyous and easy way to really groove at slow to medium tempos… Advertisements
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Tag: gospel piano licks
Gospel School: Walk-Down I to V & Walk-Up V to I
Everybody’s gospel bag should include walk-ups and walk-downs that connect the “big three” chords (I-IV-V)…
Gospel School: Walk-Up I to IV & Walk-Down IV to I
Everybody’s gospel bag should include walk-ups and walk-downs that connect the “big three” chords (I-IV-V)…
Gospel School: Vamp #4
Fourth in the series of definitive gospel vamps for your consideration…
Gospel School: Vamp #3
The first three bars are identical to Gospel Vamp #2, but this one ends with a tasty major-minor mixture…
Gospel School: Vamp #2
Featuring a major pentatonic flavor and ending with a major neighbor chord idea…
Gospel School: Vamp #1
First in a series of definitive gospel vamps for your consideration…
Gospel School: Mixolydian Triads
Mixolydian Triads (triads derived from the Mixolydian Scale) are a tasty, bluesy way to play over a dominant 7 chord…
Gospel School: Major-Minor Mixture
The simultaneous mixture of major and minor tonalities is huge part of the Gospel vocabulary…
Gospel School: Neighbor Chord Melody (Minor)
An extension of the Neighbor Chord concept is to play the prevailing triad and neighbor chord pair “melodically” up or