Half-time bouncing bass lines are a joyous and easy way to really groove at slow to medium tempos…
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gospel piano licks
Everybody’s gospel bag should include walk-ups and walk-downs that connect the “big three” chords (I-IV-V)…
Everybody’s gospel bag should include walk-ups and walk-downs that connect the “big three” chords (I-IV-V)…
Fourth in the series of definitive gospel vamps for your consideration…
The first three bars are identical to Gospel Vamp #2, but this one ends with a tasty major-minor mixture…
Featuring a major pentatonic flavor and ending with a major neighbor chord idea…
First in a series of definitive gospel vamps for your consideration…
Mixolydian Triads (triads derived from the Mixolydian Scale) are a tasty, bluesy way to play over a dominant 7 chord…
The simultaneous mixture of major and minor tonalities is huge part of the Gospel vocabulary…
An extension of the Neighbor Chord concept is to play the prevailing triad and neighbor chord pair “melodically” up or down in all inversions…