Scales: Solfege & the Notion of Keys


Did you know that you can play a melody starting on any of the twelve possible notes, while still preserving its melodic and harmonic character?

For example, you can play “Twinkle, Twinkle” starting on the note C…

Twinkle Twinkle in the key of C

But you can also play it starting on the note G…

Twinkle Twinkle in the key of G

or Eb…

Twinkle Twinkle in the key of Eb

In fact, you can play “Twinkle, Twinkle” (or any other melody) starting on any of the twelve available notes.

Special Note: The first note of any song is not necessarily the key that you are in.

How Many Keys are There?

The answer depends on whether you are talking about physical keys or theoretical keys.

Since there are twelve possible physical keys on the piano, there twelve possible physical “keys” in which you can play a piece of music.

But, while there are twelve physical keys, it is possible to write music with up to seven sharps or seven flats in the key signature, making at least fifteen keys theoretically possible.

That said, here is “Twinkle, Twinkle” written out in fifteen theoretical keys:


You will discover that Do will always sound-feel like DoSo will sound-feel like So, La will sound-feel like La, and so on… no matter what key you are in!

The takeaway is this: When you start the melody on a different note (play in a different key), all of the letter names of the notes change, but the Solfege names remain exactly the same.

The letter names change because they are arbitrary, but the Solfege names remain the same because they represent the inherent melodic-harmonic function of each melody note, which remain the same no matter what key you are in.

Understanding this concept is a critically-important step towards understanding how music really works.

learn more… Melodic Analysis: The Beauty of Solfege