Skip to content

Piano-ology

It's not just another piano lesson… It's a physical, intellectual, and spiritual journey!

Main navigation

About
The Basics
How Music Works
Performance
Schools of Music
- Blues & Boogie Woogie
- Country
- Gospel
- Jazz
- Rock
Micro-Lessons
Study Aids
FAQ
Teaching Quizzes
Donate

Frank J Peter January 1, 2019 Rock School

Rock School: Fifties Pattern #1

piano-ology-rock-school-fifties-pattern-1-featured

The I-VI-IV-V chord progression almost single-handedly defines the fifties…

Notice the characteristic triple feel and melodic bass line, which creates a strong sense of momentum, direction, and anticipation.

piano-ology-rock-school-fifties-pattern-1

Performance and Interpretation Tip: Play the bass line melodically!
Technique Tip: Let gravity do the work!

learn more… Fifties Pattern #2

Advertisements

Spread the joy of music!

Click to share on Facebook (Opens in new window)
Click to share on Twitter (Opens in new window)
Click to share on Pinterest (Opens in new window)

Like this:

Like Loading...

Posted in Rock School and tagged fifties, rock and roll piano, rock piano, rock piano licks. Bookmark the permalink.

2Comments

1

dave on June 2, 2018 at 5:14 pm
Reply

wow takes y there doesnt it

Loading...
- 2
  
  Frank J Peter on June 3, 2018 at 4:42 am
  Reply
  
  It does indeed! I am deeply enjoying your short, sweet, and incisive commentary, Dave. Keep ’em coming!
  
  Loading...

Leave a Reply Cancel reply

Search for:

Support FREE Education!

Subscribe via Email

Email Address

Categories

Categories

Tags

1/4 time 2/4 time 3/4 time 4/4 time 6/8 time 12 8 blues 12 bar blues 80-20 80-20 principle absolute pitch accent accidentals accompaniment add2 add 9 add9 aeolian mode alberti bass alexander technique a major scale solfege arms arpeggios articulation association attack attention attitude augmented fifth augmented fourth augmented triad authenticity automization autumn leaves bach prelude number 8 ballads bass clef bass lines bass melody beta blockers black keys blossom blue notes blues blues comping blues drums blues endings blues harmony blues licks blues piano blues piano licks blues rhythm blues riffs blues riffs vamps blues scale blues vamps body image boogie woogie boogie woogie piano borrowed chords brain hemispheres brain lateralization breathing buying a piano C3PO c7 c69 central executive chameleon chord-scales chord function chord inversion chord melody chord progressions chords chord structure chord tone melody chord tones chord voicing chord voicings choreography chunking circular playing clefs click track CM7 CM9 c major 7 c major 7 chord voicing c major scale c minor 6 c minor 7 c minor 7 chord voicing comparative scale study comping Composition confidence consolidation consonance continuity contour coordination copyright cortot country country drums country piano country piano comping country piano licks country rhythm country two step creative commons creativity crescendo crossover czerny dampers dave brubeck david burge david lucas burge definitive tones dictation diminished fifth diminished seventh diminished triad diminuendo discipline dissonance d major scale solfege dominant 7 dominant 7 chord voicings dominant seventh dorian mode dorian scale double flats double sharps downbeats drones drummer's trick drum tracks ear training eb major scale solfege educational psychology einstein elaboration electronic piano e major scale solfege emotion emotions ending exercise expectations expertise experts fame FAQ f clef fifties fifties music fight or flight finger crossovers finger exercises fingering finger numbers fingers finger strength finger training first inversion flat9 flats floyd cramer f major scale solfege forearms for elise form forte frank peter freeze frequency gardner g clef g major scale solfege goldilocks gospel gospel bass lines gospel drums gospel licks gospel piano gospel piano licks gospel rhythm grace notes grand piano grand staff gratitude habits half diminished seventh hammond organ hands separate hanon hardware harmonic minor harmonic minor scale harmonics harmony hit the road jack horowitz how to play fast How to Read Music how to study how to transpose I-V-I i-V7-i ii-v-i ii-v7-i Improvisation improvisation practice independence inner game of music inner game of tennis integration integrity intelligence interference interpretation intervals intro introduction intros inversion ionian scale IQ japanese scale jazz jazz blues jazz chord progressions jazz chords jazz chord voicings jazz etudes jazz improvisation jazz piano jazz piano lessons jazz piano licks keyboard keyboard awareness keyboard layout key signature key signatures killer joe labeling theory language Layla lead sheet learning ledger lines left brain left hand melody legato lines long term memory loud loudness love lydian scale lydian scale degrees major 7 major 7 chord voicing major 7 chord voicings major 69 chord major blues major blues scale major pentatonic major pentatonic scale major scale major scale degrees major scale fingering major seventh major sixth major third major triad major triad arpeggios major triads major triad spelling matisse meditation melodic minor melodic minor scale melodic sequence melody memorization memory meter metronome middle c middle eastern scale mind-body connection mindset minor 2 5 1 minor 7 minor 7 chord voicings minor blues minor blues scale minor major 7 minor pentatonic minor pentatonic scale minor scale minor scale fingering minor second minor seventh minor sixth minor third minor triad minor triad arpeggios minor triads minor triad spelling mixolydian mode mixolydian scale modes momentum motivation mozart sonata facile Muddy Waters multiple intelligences muscle memory musical mind musicianship music notation music theory Names of the Piano Keys natural minor scale naturals nature nature-nurture neighbor chords new orleans piano novices number system nurture octave octaves online quiz overtones paradiddles pareto princip[e patterns pavlov pedal point pedals pentatonic perfectionism perfect pitch Performance Anxiety perseverance pete towshend phrasing physics of sound piano piano-ology piano exercises piano practice piano practice tips piano technique pickups pitch pitch recognition playing by ear portato positive affirmation posture power of positive thihking practice practice tips practice tracks preparation prepared attack priming problem solving professor longhair proprioception pulse q and a quality quantity quartal harmony recall recognition reese wynans relative pitch relaxation relaxation techniques repeated notes repertoire rests rhythm rhythmic motives rhythm tracks riders on the storm right brain rockabilly rockabilly piano rock and roll piano rock ballad rock drums rock keyboard rock organ rock piano rock piano lick rock piano licks rock rhythm roman numeral analysis roman numerals root position rubinstein scale-chords scale degrees scales scale structure scale theory scale tone melody scale tones scott joplin maple leaf rag secondary dominants second inversion self-fulfilling prophecy sensory register sequence seventh chords sharps short term memory shoulders shout shout bass lines shuffle sight singing skinner skips slow blues slow playing snake oil soak time software solfege somatics sound spaces spinet piano SRV staccato stage fright stage presence state-dependent learning stationary harmony moving bass stevie ray vaughn straight blues stream of consciousness stress stride study habits sus2 sus2 chord sus4 chord suspension swing symptoms of technical problems synth take five talent talent is overrated tango taubmann technique teaching philosophy technique tempo tenuto the art of piano playing the house is rocking theme from sesame street the nature-nurture debate the notion of keys theory and practice the right stuff the talent trap the virtuoso pianist the who thumb over thumbs thumb under timbre time time signature time signatures tonality tone clusters transposition treble clef triads triplet triplets tritone turnaround twinkle twinkle two step unison unprepared attack upbeats upright piano V7 chord vamp vamps van cliburn velocity vibration virtuosity visualization voice leading walk-downs walk-ups walkdowns walking bass walkups waltz won't get fooled again working memory

Frank J Peter

A uniquely burdened and blessed citizen of the world thinking and acting out loud!

Personal Links

Piano-ology
Frankie's Footprints
Frank J. Peter

View Full Profile →

Home

Secondary navigation

Instagram
Facebook
Twitter
YouTube

Search

Post navigation

Rock School: Fifties Pattern #2

Search for:

Begin typing your search above and press return to search. Press Esc to cancel.

%d bloggers like this: