The ability to embellish the three primary chord tones in a minor triad is a fundamental jazz improvisation skill…
We are going to explore eight standard embellishments to the 1, b3, and 5 of a C Minor Triad played over a C Minor Triad in a four-bar form.
Don’t try to memorize these patterns. As always, study and practice them using all four musical intelligences: ears, intellect (theory), eyes, and muscles. If you do, you’ll discover that they are really quite straightforward–readily described in words as shown.
It is critically important that you play these embellishments in the right place in the meter and with good rhythm. Notice that the target notes (1, b3, and 5) always fall on the strongest beat and that the embellishments always anticipate each target note. Reminder: Don’t forget to swing the eighth notes. Let’s go!