A sparse, light, open texture is achieved by simply playing the root and seventh of the chord in your left hand…
Called a shell voicing, this approach provides lots of space and freedom for your right hand to play the melody or improvise without being hamstrung by a particular voicing…
Use your ears and knowledge of scales and chord structure to “transpose” this voicing to all spellings in three musically-useful patterns:
- Chromatically Ascending: C > Db > D > Eb > E > F > Gb > G > Ab > A > Bb > B > C.
- Chromatically Descending: C > B > Bb > A > Ab > G > Gb > F > E > Eb > D > Db > C.
- Cycle of Dominants: C > F > Bb > Eb > Ab > Db > Gb > B > E > A > D > G > C.
Doing so helps to develop an enormous chord vocabulary, one that you will know intimately in many ways: by brain, by eye, by ear, by finger, by body, and by heart… and builds a solid foundation for fluent improvisation.