Dominant 7 Chord Voicing: Definitive Tones over Perfect 5th

For a full, simple, and open sound, voice the Dominant 7th Chord as a perfect 5th in the left hand and the Tritone formed by the definitive tones (3, b7) in the right…

Dominant 7 Chord Definitive Tones Over Perfect 5th Voicing

Homework

Using your ears and knowledge of scales and chord structure, “transpose” this voicing to all spellings in three musically-useful patterns:

1. Chromatically Ascending: C > Db > D > Eb > E > F > Gb > G > Ab > A > Bb > B > C.
2. Chromatically Descending: C > B > Bb > A > Ab > G > Gb > F > E > Eb > D > Db > C.
3. Cycle of Dominants: C > F > Bb > Eb > Ab > Db > Gb > B > E > A > D > G > C.

Doing so will develop an enormous chord vocabulary that you will know by ear, intellect, eye, and muscle… laying a rock solid foundation for fluent improvisation.

learn more… Jazz School: Chord Voicings: Dominant 7, add 9, drop 5