The simultaneous mixture of major and minor tonalities is huge part of the Gospel vocabulary…
Enjoy this definitive example…
- Don’t fuss over the names of the chords.
- Don’t try to explain these delicious gospel patterns using classical musical theory.
- Is the first chord a Cm7? How about Eb/C? Who cares?
- DO use your knowledge of scales and chords to decode and encode the patterns by sound, visio-spatial layout on the keyboard, and physical execution for all keys your want to master.
learn more… Gospel School: Mixolydian Triads