The simultaneous mixture of major and minor tonalities is huge part of the Gospel vocabulary…

Enjoy this definitive example…

Study-Practice Notes:

• Don’t fuss over the names of the chords.
• Don’t try to explain these delicious gospel patterns using classical musical theory.
• Is the first chord a Cm7? How about Eb/C? Who cares?
• DO use your knowledge of scales and chords to decode and encode the patterns by sound, visio-spatial layout on the keyboard, and physical execution for all keys your want to master.

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learn more… Gospel School: Mixolydian Triads