Gospel School: Major-Minor Mixture


The simultaneous mixture of major and minor tonalities is huge part of the Gospel vocabulary derived from the Blues…

Enjoy this definitive example…


Study-Practice Notes:

  • Don’t fuss over the names of the chords. Is the first chord a Cm7? How about Eb/C? Who cares?
  • The dotted 1/8th and 1/32nd note pair are only an approximation of the actual time. It’s not about counting, but about the syncopated feel!
  • Don’t try to explain these delicious gospel harmonies and rhythm using classical musical theory.
  • Use your knowledge of scales and chords to decode and encode the patterns by sound, visio-spatial layout on the keyboard, and physical execution.
  • Practice in all keys you want to master.

learn more… Gospel School: Mixolydian Triads