Let’s shift the melodic contour to start on the next higher chord tone E, while preserving the exact same rhythm…
Notice how both the melodic contour and rhythmic motives act as glue that securely connects this new idea to the original melody…

Let’s shift the melodic contour to start on the next higher chord tone E, while preserving the exact same rhythm…
Notice how both the melodic contour and rhythmic motives act as glue that securely connects this new idea to the original melody…