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Category Archive: Composition & Improvisation

Composition & Improvisation: Case Study: Part 24 of 24: Add Ending

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A common practice is to add a few extra bars at the end of the form in order to signal a crisp and clear sense of closure…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 23 of 24: Add Introduction

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A well-crafted Introduction can create a sense of anticipation, establish a mood, and build musical momentum going into “the top” of the piece…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 22 of 24: Rhythmic Motives

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Rhythm is an extremely powerful organizing force in music, oftentimes moreso than the pitches…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 21 of 24: Two-Handed Chord Melody

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Here is a two-fisted melody consisting exclusively of chord tones played as alternating pairs in both hands…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 20 of 24: Pickups

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There is no rule that says that a song or chorus must begin on the first downbeat…

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2011-06-29 Composition & Improvisation

Composition & Improvisation: Case Study: Part 19 of 24: Melodic Sequence

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A Sequence is a pattern with a characteristic melodic shape and rhythm that moves through the chord changes…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 18 of 24: Pedal Point

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Pedal Point means to maintain a single note in the bass as the chords change above…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 17 of 24: Subdivide Beat into Triplets

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One way to Subdivide the Beat is to play triplet chords in the left hand…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 16 of 24: Harmonize Melody in 6ths

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Trying harmonizing the melody in Sixths going up and down the C major scale…

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2011-06-29 Composition & Improvisation, Music Theory

Composition & Improvisation: Case Study: Part 15 of 24: Left Hand Melody

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There is no rule that says that the melody must be played in the right hand and chords must be played in the left..

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2011-06-29 Composition & Improvisation, Music Theory

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