Slow, super laid back minor vamp a la Bill Withers’ “Ain’t No Sunshine”…
Category Archive: Blues School
This vamp conjures up images of the swamp…
This vamp makes full use of all the blue notes (b3, b7, b5)…
A good intro builds excitement and establishes expectations before jumping into a tune…
A relentless, circular bass line in the left hand with neighbor chords and minor-major mixture in the right…
A good intro builds excitement and establishes expectations before jumping into a tune…
A good intro builds excitement and establishes expectations before jumping into a tune…
A mutant Bluesy scale (1-2-b3-5-6-b7) played in descending triplets over three octaves…
Based on the Major Blues Scale played in ascending triplets over three octaves…
The Minor Blues Scale played in descending triplets over three octaves…