This commonly used 12-bar Blues variation inserts a secondary dominant A7 (V7/ii) in bar 8 to feed the Dm7 (ii7) in bar 9…
Such secondary dominants are a great way to add harmonic interest and to create a more sophisticated, jazzier sound…
Major 12-Bar Blues Harmony Variation #6 in the Key of C
Frank Playing a Real-Life Example
Medium swing rhythm with walking bass…
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Major 12-Bar Blues Harmony, Variation #7
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