Gospel School: Shout Bass Lines: Walking on the I-IV Chord Progression

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Shout Music makes me think of one word: Exuberance! 

Shout Bass Line Variation 1

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Pattern Appreciation: Don’t try to “memorize” this. Remember: Study first, practice second! That said, the pattern is not at as complicated as it seems. The “target note” C (Do) is always approached with three note chromatic pickups, either ascending or descending. F (Fa) is a bit different: While it can be approached chromatically from below, this just doesn’t sound right approached from above. The smoothest sounding-feeling approach is Mixolydian scale-wise. This is just one of those things you learn by experience and by trusting your ears above all else.

piano-ology-gospel-school-shout-bass-lines-c-f-1-marked

Technique Tip: The proper way to walk is to drop the weight of your arm-hand into each note. Try to sound like a bass player thumping out juicy, round, big, fat notes.


Shout Bass Line Variation 2

Here we just exchanged the ascending line with descending line and vice versa…

piano-ology-gospel-school-shout-bass-lines-c-f-2

Rhythmic Conception and Interpretation: Feel each chorus as coherent 2-bar and 4-bar ideas, not as isolated notes or four-note segments that end at the bar lines.


Shout Bass Line Variation 3

A hybrid of variations 1 and 2…

piano-ology-gospel-school-shout-bass-lines-c-f-3

Can you think of some other ways to connect the chord tones?


Frank Improv for your consideration…


If you learned something here today, please LIKE this page or comment below. Such engagement really helps to get the word out in support of quality education! Thanks and peace from Frank.

 

 

 

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